Regulations 2019

PRIX MARULIC - OLD TEXTS REVISITED is a festival organized by the Drama Department of HRT -Croatian Radio with the help of the International Relations Dept., and in cooperation with the European Broadcasting Union (EBU).
The contest is open to all regular and associate members of the EBU, as well as to other broadcasting organizations and independent producers.
The intentions are implied in the Festival's motto - Old Texts Revisited, and the components of the motto should be interpreted including all the layers of their meaning.
1. (a) Old texts refers to literature and/or heritage, regardless of its genre or form, poetry or prose (poems, epics, dramas, novels etc.), i.e. all literary works inherited from the past. However, the Festival gladly welcomes programs based on so-called borderline texts, not belonging to literature in the strictest sense, and on other artifacts, e.g. complete or fragmentary notes, which are witty or observant or show the spirit of the times, and which transfer past spiritual experience into the present (epitaphs, letters, recorded oral tradition: customs and rituals, legends, myths, fairytales etc. and songs, biographical and autobiographical notes, entries in a diary and other personal notes, historical documents and the like). In brief, old texts refer to old literary texts, but also to any other document or written form of cultural heritage, which eludes literary classification.
(b) An old text in this context is considered to be any text pre-dating 1921, which marks the occurrence of the first radio drama.
2. Revisited - the second part of the Festival's motto refers to the strength and appeal of an old text, and its power to find a reflection in the present, in particular, to find a new artistic form suited for the radio. In this respect, the intention of the Festival is to encourage genuine radio expressiveness. The old text is viewed as a model, a point of departure and a challenge. The radio adopts it, transforms it, and broadcasts it to its listeners as an authentic work of radio-art. The Festival would like to affirm the diversity of approaches, forms and methods, and in view of this aim it stresses its openness to various genres of radio-art.

-The Festival begins on May 4, 2019 and lasts 6 days.
-The completed registration form and a summary along with a detailed and precise synopsis in English of the program (approx. 3 pages for Dramas and Documentaries and 1 page for Short Forms) should be sent by February 1, 2019 at the latest.  Please note that a synopsis is not needed for programs that are in English.
1. Text materials (Registration Form including Summary AND Synopsis) to
2. Programs - audio files in WAV format 48 khz and 16 bits should be sent by We Transfer –  to   Programs should be clearly named: “Program Title-Country-Category” i.e. “Antigona-Croatia-Drama”
-The pre-selection of the programs will be concluded by March 1, 2019 and all the candidates will be informed about the results.
-The accreditation form should be sent by March 29, 2019.
-50 original printed scripts of the selected programs with an English translation should be sent by post by April 10, 2019.
Translated texts in word/pdf format should also be sent to us by email for the festival archives.  Please send them to:
No program with the first broadcast before May 4, 2017 will be eligible.

We will have a special offer for "Prix Marulic" delegates from Sunčani Hvar Hotels ready in due time.

1.        All kinds of radio forms and approaches based on old texts/heritage are welcome in this Festival. According to the explanations of old texts given under INTENTIONS OF THE FESTIVAL, the Festival welcomes radio adaptations of old literary texts (e.g. dramas, mysteries, poems, epics, diaries, letters and other literary forms), original radio dramas, documentaries and features, and other radio forms based on an old literary text or other artifact of written or documented heritage, in the condition that the date of the text upon which the program is based meets the requirements of the Festival, as explained under INTENTIONS OF THE FESTIVAL. Since the intention of the Festival is also to encourage the revival of old vernaculars, broadcasts based on national literary heritage are particularly welcome. Programs with primarily educational purposes will not be accepted.
2.        The Festival comprises three Categories:
(a) Drama Category
(b) Documentary Category
(c) Short Forms Category
3.        In the Documentary Category, the Festival particularly expects to attract the feature- documentaries, programs approaching their subject in an investigative and modern way.
4.       In the Short Forms Category, we are looking for short dramas and short documentaries up to 10 minutes of duration. It is obligatory that short forms programs have been thought of, produced and aired as such, no abbreviated or shortened longer forms will be accepted. It is necessary that the short forms are produced for the regular radio program. If evidence shows otherwise the program will be excluded from the festival.
5.        ARS ACUSTICA (sound art) radio pieces are also very welcome in each of the categories, but they must not be comprised of ONLY music and must be in line with all of the other regulations of the festival.
6.       If the program is a part of a series, only one episode may be entered for the festival.  In this case, it is necessary to give an overview of the entire series.
7.        Entrants decide in which category they want to compete and state their decision in the registration form.
8.       Each entrant can participate with:
- an individual broadcast which may not exceed 60 minutes;
- a maximum of four broadcasts in the first two categories combined (two dramas and two documentaries) in a total length of up to 100 minutes per category;
- a maximum of two broadcasts in the Short forms Category and their total duration must NOT exceed 20 minutes (each one 10 minutes max).
9.       The organizer would like to encourage the authors of entries to attend the Festival, participate in the open discussions with fellow practitioners, and play an active part in the selection of winning entries.
10.     Programs will be judged by a Jury. The Jury consists of participants themselves (there is a limit of one voting delegate per production company and two voting delegates per country and two Jury Coordinators). The composition and the work of the Jury are regulated by a set of rules. However, the number of observers is not limited. The observers are welcome and encouraged to take part in the discussion without the right to vote.

11.      The programs declared best by the Jury will be given the following awards:
(a) In the Drama Category:
-  Grand Prix Marulic Award consisting of a lighthouse statue, a diploma and a monetary award (3000€)
-  Second and Third Award Prix Marulic consisting of a lighthouse statue and a diploma.
(b) In the Documentary Category:
-  Grand Prix Marulic Award consisting of a lighthouse statue, a diploma and a monetary award (3000€)
-  Second and Third Award Prix Marulic consisting of a lighthouse statue and a diploma.
(c) In the Short Forms Category: